Chrysafi Eleni

Laboratory Teaching Staff

Teaching: Byzantine Archaeology, History of Art, Byzantine Culture and Aesthetics

Degrees

PhD in Byzantine Archaeology / AUTH, Faculty of Philosophy, School of History and Archaeology
MA degree in Byzantine Archaeology / AUTH, Faculty of Philosophy, School of History and Archaeology
MA degree in Translation, Interpretation and Communication / AUTH, Faculty of Philosophy, School of Italian Language and Philology
BA degree in History and Archaeology / AUTH, Faculty of Philosophy, School of History and Archaeology
BA degree in Italian Studies / AUTH, Faculty of Philosophy, School of Italian Language and Philology

Research Interests

Byzantine art and archaeology
Byzantine and post-byzantine iconography
Material culture of Byzantium (esp. mosaics, minor arts, textiles)
Aesthetics of Christian art in Byzantium and the West
Byzantine Heritage monuments and Religious/Cultural tourism
Cultural and artistic relations of Byzantium and Italy
Italian Art History between Late Antiquity and Renaissance
Christian Cultural Heritage preservation / Documentation and management of ecclesiastical cultural treasures

Φ.Ε.Κ. Προκήρυξης ΦΕΚ 2000/23-7-2014, τ. Β’

Phone +30 2310 996955

E-mail echrys@past.auth.gr

Office nο 328, 3rd floor, Faculty of Theology Building

Office hours Τuesday & Thursday 12:00-14:00 / Possibility of remote collaboration via videoconferencing

Attached Files
Eleni Chrysafi CV pdf - 21.57 KB	View PDF file

Attached Files

Eleni Chrysafi CV

pdf - 21.57 KB

View PDF file

Selected publications

Monograph

• Angels as members of the Heavenly Court in the art of the early and middle byzantine period [Center for Byzantine Research ΑUTH / Byzantine Monuments 19], Thessaloniki 2024 (ISBN 978-960-7856-65-4).

Articles

• “Byzantine silk textiles: commercial, cultural and artistic networks between East and West”, in: Ν. Poulou (ed.), Networks and Communication in Byzantium, European Centre for Byzantine and Post-Byzantine Monuments, Thessaloniki 2022, 229-247.

• “The Galerian Palace Complex in Thessaloniki: its history and interior decoration”, in: V. Ruppienė (ed.), Stone and Splendor. Interior decorations in late-antique palaces and villas. Proceedings of a workshop, Trier, 25-26 April 2019 [Forschung zu spätantiken Residenzen 1], Wiesbaden 2021, 69-84.

• “Proteggendo i preziosi tra cielo e terra: l’iconografia dell’arcangelo Michele come custode e difensore sulle monete bizantine”, in: I. Baldini / A.L. Morelli (a cura di), Beni da conservare. Forme di tesaurizzazione in età romana e medievale, Atti del VII Seminario interdottorale: Ornamenta 7 (Bologna, 20 ottobre 2017), Bologna 2020, 137-146.

• “BYZART Multilingual Metadata Enrichment” (in collaboration with L. Kniffitz and Ch. Pausini), in: I. Baldini / C. Lamanna / G. Marsili / L.M. Orlandi (ed.), The Silk and the Blood. Images of Authotiry in Βyzantine Art and Archaeology, Proceedings of the final meeting of BYZART Project / Byzantine Art and Archaeology on Europeana (Bologna, 15 February 2019), Bologna 2020, 35-39.

• “Gli arcangeli negli oggetti devozionali bizantini”, in: I. Baldini / A.L. Morelli (a cura di), Oro sacro. Aspetti religiosi ed economici da Atene a Bisanzio, Atti del V Seminario interdottorale: Ornamenta 5 (Bologna, 9-10 ottobre 2012), Bologna 2014, 155-174.

• “Rotunda (St. George)”, in: Α. Μentzos / Α. Pliota (επιμ.), Αποτυπώματα. Η βυζαντινή Θεσσαλονίκη σε φωτογραφίες και σχέδια της Βρετανικής Σχολής Αθηνών (1888-1910) / Impressions: Byzantine Thessalonike through the Photographs and Drawings of the British School at Athens (1888-1910) (Exhibition catalogue), Thessaloniki 2012, 46-63.

• P. Assimakopoulou-Atzaka / E. Chrysafi / Chr. Papakyriakou / M. Parcharidou-Anagnostou / A. Pliota, “Mosaic icons in Greece: Techniques and methods of conservation”, in: A. Ben Abed, M. Demas, Th. Roby (eds.), Lessons Learned: Reflecting on the Theory and Practice of Mosaic Conservation, 9^th Conference of the International Committee for the Conservation of Mosaics, Hammammet-Tunisia, Nov. 29-Dec. 3, 2005, Los Angeles: Getty Conservation Institute 2008, 335-339.